21 April
2018
|
|||
(3
performances, also 24, 27 Apr)
|
|||
FIDELIO
|
|||
(Ludwig
van Beethoven
|
|||
Dirigent
|
|||
Adam
Fischer
|
|||
Nach
einer Inszenierung von
|
|||
Otto
Schenk
|
|||
Bühnenbild
nach Entwürfen von
|
|||
Günther
Schneider-Siemssen
|
|||
Kostüme
|
|||
Leo Bei
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Florestan
|
Leonore
|
Don Fernando
|
|
Peter Seiffert
|
Ricarda Merbeth
|
Clemens Unterreiner
|
|
Don Pizarro
|
Rocco
|
Marzelline
|
|
Tomasz Konieczny
|
Stefan Cerny
|
Ileana Tonca
|
|
Jaquino
|
Erster Gefangener
|
Zweiter Gefangener
|
|
Jörg Schneider
|
Wolfram Igor Derntl
|
Hiro Ijichi
|
|
4
January 2018
|
|||
(3
performances, also 7, 10 Jan)
|
|||
I
PURITANI
|
|||
(Vincenzo
Bellini)
|
|||
Dirigent
|
|||
Evelino
Pidò
|
|||
Inszenierung
|
|||
John Dew
|
|||
Bühnenbild
|
|||
Heinz
Balthes
|
|||
Kostüme
|
|||
José
Manuel Vazquez
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Lord Gualtiero Valton
|
Sir Riccardo Forth
|
Enrichetta di Francia
|
|
Ryan Speedo Green
|
Adam Plachetka
|
Ilseyar Khayrullova
|
|
Sir Giorgio
|
Sir Bruno Roberton
|
Elvira
|
|
Jongmin Park
|
Leonardo Navarro
|
Venera Gimadieva
|
|
Lord Arturo Talbo
|
|||
Dmitry Korchak
|
|||
23
January 2018
|
|||
(3
performances, also 26, 29 Jan)
|
|||
CARMEN
|
|||
(Georges
Bizet)
|
|||
Dirigent
|
|||
Jean-Christophe
Spinosi
|
|||
Inszenierung
und Bühnenbilder
|
|||
Franco
Zeffirelli
|
|||
Kostüme
|
|||
Leo Bei
|
|||
Choreographie
|
|||
Rafael
de Cordova
|
|||
Choreinstudierung
|
|||
Thomas
Lang
|
|||
Carmen
|
Don José
|
Escamillo
|
|
Margarita Gritskova
|
Piotr Beczala
|
Carlos Álvarez
|
|
Micaëla
|
Frasquita
|
Mercédès
|
|
Olga Bezsmertna
|
Simina Ivan
|
Margaret Plummer
|
|
Zuniga
|
Moralès
|
Remendado
|
|
Ayk Martirossian
|
Orhan Yildiz
|
Carlos Osuna
|
|
Alexandru Moisiuc
|
|||
Dancairo
|
|||
|
|||
9
November 2017
|
|||
(4
performances, also 12, 15, 18 Nov)
|
|||
ADRIANA
LECOUVREUR
|
|||
(Francesco
Cilea)
|
|||
Dirigent
|
|||
Evelino
Pidò
|
|||
Regie
|
|||
David
McVicar
|
|||
Szenische
Einstudierung
|
|||
Justin
Way
|
|||
Bühne
|
|||
Charles
Edwards
|
|||
Kostüme
|
|||
Brigitte
Reiffenstuel
|
|||
Licht
|
|||
Adam
Silverman
|
|||
Choreographie
|
|||
Andrew
George
|
|||
Choreographische
Einstudierung
|
|||
Adam
Pudney
|
|||
Chorleitung
|
|||
Stefano
Ragusini
|
|||
Maurizio
|
Quinault
|
La Principessa di Bouillon
|
|
Piotr Beczala
|
Ryan Speedo Green
|
Elena Zhidkova
|
|
Il Principe di Bouillon
|
Poisson
|
Jouvenot
|
|
Alexandru Moisiuc
|
Pavel Kolgatin
|
Bryony Dwyer
|
|
Abate
|
Haushofmeister
|
Dangeville
|
|
Raúl Giménez
|
Tobias Huemer
|
Miriam Albano
|
|
Michonnet
|
Adriana Lecouvreur
|
||
Roberto Frontali
|
Anna Netrebko
|
||
12
October 2017
|
|||
(4
performances, also 15, 18, 21 Oct)
|
|||
PELLÉAS
ET MÉLISANDE
|
|||
(Claude
Debussy)
|
|||
Dirigent
|
|||
Daniel
Harding
|
|||
Regie,
Bühne und Licht
|
|||
Marco
Arturo Marelli
|
|||
Kostüme
|
|||
Dagmar
Niefind
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Arkel
|
Golaud
|
Ein Arzt
|
|
Peter Rose
|
Simon Keenlyside
|
Marcus Pelz
|
|
Geneviève
|
Mélisande
|
Vater von Pelléas
|
|
Janina Baechle
|
Christiane Karg
|
Andreas Bettinger
|
|
Pelléas
|
Yniold
|
||
Bernard Richter
|
Maria Nazarova
|
||
27
November 2017
|
|||
(7
performances, also 28 Nov, 2 Dec, 9, 14, 16, 19 May)
|
|||
DON
PASQUALE
|
|||
(Gaetano
Donizetti)
|
|||
Dirigent
|
|||
Evelino
Pidò
|
|||
Frédéric
Chaslin
|
|||
Regie
|
|||
Irina
Brook
|
|||
Bühne
|
|||
Noelle
Ginefri-Corbel
|
|||
Kostüme
|
|||
Sylvie
Martin-Hyszka
|
|||
Licht
|
|||
Arnaud
Jung
|
|||
Choreographie
|
|||
Martin
Buczko
|
|||
Regiemitarbeit
|
|||
Sophie
Petit
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Don Pasquale
|
Norina
|
Doktor Malatesta
|
|
Alessandro Corbelli
|
Anna Aglatova
|
Pietro Spagnoli
|
|
Roberto De Candia
|
Andrea Carroll
|
Adam Plachetka
|
|
Danielle de Niese
|
|||
Ernesto
|
Ein Notar
|
Butler
|
|
Maxim Mironov
|
Wolfram Igor Derntl
|
Eduard Wesener
|
|
Antonino Siragusa
|
Tobias Huemer
|
||
Kammerfrau
|
|||
Waltraud Barton
|
|||
24
October 2017
|
|||
(8
performances, also 17, 20 Nov, 3, 5, 10 Feb, 8, 11 May 2018)
|
|||
L'
ELISIR D'AMORE
|
|||
(Gaetano
Donizetti)
|
|||
Dirigenten
|
|||
Evelino
Pidò
|
|||
Guillermo
García Calvo
|
|||
Frédéric
Chaslin
|
|||
Pavel
Baleff
|
|||
Nach
Einer Inszenierung Von
|
|||
Otto
Schenk
|
|||
Ausstattung
|
|||
Jürgen
Rose
|
|||
Choreinstudierung
|
|||
Martin
Schebesta
|
|||
Adina
|
Nemorino
|
Belcore
|
|
Andrea Carroll
|
Jinxu Xiahou
|
Gabriel Bermúdez
|
|
Valentina Nafornita
|
Vittorio Grigolo
|
Orhan Yildiz
|
|
Hila Fahima
|
Benjamin Bernheim
|
Mario Cassi
|
|
Paolo Fanale
|
|||
Doktor Dulcamara
|
Giannetta
|
Ein Trompeter
|
|
Renato Girolami
|
Daniela Fally
|
Alfred Gaal
|
|
Erwin Schrott
|
Hila Fahima
|
Gerhard Berndl
|
|
Paolo Rumetz
|
Ileana Tonca
|
||
Bryony Dwyer
|
|||
Diener des Dulcamara
|
|||
Michael Burggasser
|
|||
Walter Kunz
|
|||
11
January 2018
|
|||
(4
performances, also 13, 16, 19 Jan)
|
|||
LA FILLE
DU RÉGIMENT
|
|||
(Gaetano
Donizetti)
|
|||
Dirigent
|
|||
Evelino
Pidò
|
|||
Inszenierung
und Kostüme
|
|||
Laurent
Pelly
|
|||
Bühne
|
|||
Chantal
Thomas
|
|||
Licht
|
|||
Joël
Adam
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Marie
|
Tonio
|
Marquise de Berkenfield
|
|
Sabine Devieilhe
|
John Tessier
|
Donna Ellen
|
|
Sulpice
|
Hortensius
|
Korporal
|
|
Carlos Álvarez
|
Marcus Pelz
|
Konrad Huber
|
|
Jaroslav Pehal
|
|||
Duchesse de Crakentorp
|
Bauer
|
Notar
|
|
Marjana Lipovšek
|
Wolfram Igor Derntl
|
François Roesti
|
|
Dritan Luca
|
|||
19
October 2017
|
|||
(4
performances, also 22, 25, 28 Oct)
|
|||
RUSALKA
|
|||
(Antonín
Dvořák)
|
|||
Dirigent
|
|||
Tomáš
Hanus
|
|||
Regie
|
|||
Sven-Eric
Bechtolf
|
|||
Bühne
|
|||
Rolf
Glittenberg
|
|||
Kostüme
|
|||
Marianne
Glittenberg
|
|||
Licht
|
|||
Jürgen
Hoffmann
|
|||
Choreographie
|
|||
Lukas
Gaudernak
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Prinz
|
Fremde Fürstin
|
Rusalka
|
|
Dmytro Popov
|
Elena Zhidkova
|
Krassimira Stoyanova
|
|
Wassermann
|
Jezibaba
|
Jäger
|
|
Jongmin Park
|
Monika Bohinec
|
Rafael Fingerlos
|
|
Erste Elfe
|
Zweite Elfe
|
Dritte Elfe
|
|
Ileana Tonca
|
Ulrike Helzel
|
Margaret Plummer
|
|
Heger
|
Küchenjunge
|
||
Gabriel Bermúdez
|
Stephanie Houtzeel
|
||
23 April
2018
|
|||
(4
performances, also 26, 29 Apr, 2 May)
|
|||
ANDREA
CHENIER
|
|||
(Umberto
Giordano)
|
|||
Dirigent
|
|||
Marco
Armiliato
|
|||
Nach
einer Inszenierung von
|
|||
Otto
Schenk
|
|||
Bühnenbild
|
|||
Rolf
Glittenberg
|
|||
Kostüme
|
|||
Milena
Canonero
|
|||
Choreinstudierung
|
|||
Thomas
Lang
|
|||
Andrea Chénier
|
Carlo Gérard
|
Maddalena di Coigny
|
|
Jonas Kaufmann
|
Roberto Frontali
|
Anja Harteros
|
|
Bersi
|
Gräfin di Coigny
|
Madelon
|
|
Ilseyar Khayrullova
|
Donna Ellen
|
Zoryana Kushpler
|
|
Roucher
|
Pietro Fléville
|
Fouquier Tinville
|
|
Orhan Yildiz
|
Manuel Walser
|
Alexandru Moisiuc
|
|
Boaz Daniel
|
|||
Mathieu
|
Abbé
|
"Incroyable"
|
|
Wolfgang Bankl
|
Benedikt Kobel
|
Carlos Osuna
|
|
Haushofmeister
|
Dumas
|
Schmidt
|
|
Marcus Pelz
|
Dan Paul Dumitrescu
|
Ayk Martirossian
|
|
25
January 2018
|
|||
(3
performances, 28 Jan, 2 Feb)
|
|||
FAUST
|
|||
(Charles
Gounod)
|
|||
Dirigent
|
|||
Frédéric
Chaslin
|
|||
Szenisches
Konzept
|
|||
Nicolas
Joël
|
|||
Inszenierung
und Licht
|
|||
Stéphane
Roche
|
|||
Ausstattung
|
|||
Kristina
Siegel
|
|||
nach
Entwürfen von
|
|||
Andreas
Reinhardt
|
|||
Chorleitung
|
|||
Thomas
Lang
|
|||
Faust
|
Méphistophélès
|
Valentin
|
|
Jean-François Borras
|
Erwin Schrott
|
Markus Eiche
|
|
Clemens Unterreiner
|
|||
Marguerite
|
Siébel
|
Marthe
|
|
Mandy Fredrich
|
Rachel Frenkel
|
Bongiwe Nakani
|
|
Anita Hartig
|
|||
Wagner
|
|||
Jongmin Park
|
|||
26
December 2017
|
|||
(3
performances, also 30 Dec, 2 Jan)
|
|||
HÄNSEL
UND GRETEL
|
|||
(Engelbert
Humperdinck)
|
|||
Dirigent
|
|||
Patrick
Lange
|
|||
Regie
|
|||
Adrian
Noble
|
|||
Ausstattung
|
|||
Anthony
Ward
|
|||
Licht
|
|||
Jean
Kalman
|
|||
Video
|
|||
Andrzej
Goulding
|
|||
Choreographie
|
|||
Denni
Sayers
|
|||
Leitung
des Kinderchores
|
|||
Johannes
Mertl
|
|||
Peter
|
Gertrud
|
Hänsel
|
|
Adrian Eröd
|
Donna Ellen
|
Margaret Plummer
|
|
Gretel
|
Die Knusperhexe
|
Sandmännchen
|
|
Chen Reiss
|
Monika Bohinec
|
Bryony Dwyer
|
|
Taumännchen
|
|||
Bryony Dwyer
|
|||
1
November 2017
|
|||
(3
performances, also 4, 7 Nov)
|
|||
KÁT'A
KABANOVÁ
|
|||
(Leoš
Janáček)
|
|||
Dirigent
|
|||
Graeme
Jenkins
|
|||
Regie
|
|||
André
Engel
|
|||
Bühne
|
|||
Nicky
Rieti
|
|||
Kostüme
|
|||
Chantal
de La Coste
|
|||
Licht
|
|||
André
Diot, Susanne Auffermann
|
|||
Dramaturgie
|
|||
Dominique
Muller
|
|||
Regiemitarbeit
|
|||
Ruth
Orthmann
|
|||
Chorleitung
|
|||
Stefano
Ragusini
|
|||
Dikoj
|
Boris
|
Kabanicha
|
|
Wolfgang Bankl
|
Herbert Lippert
|
Janina Baechle
|
|
Tichon
|
Katja
|
Kudrjasch
|
|
Leonardo Navarro
|
Evelyn Herlitzius
|
Carlos Osuna
|
|
Warja / Varvara
|
Kuligin
|
Glascha
|
|
Margaret Plummer
|
Marcus Pelz
|
Alexandra Yangel
|
|
Fekluscha
|
|||
Simina Ivan
|
|||
22
December 2017
|
|||
(4
performances, also 25, 27, 29 Dec)
|
|||
DIE
ZAUBERFLÖTE
|
|||
(Wolfgang
Amadeus Mozart)
|
|||
Dirigent
|
|||
Adam
Fischer
|
|||
Regie
|
|||
Moshe
Leiser, Patrice Caurier
|
|||
Bühne
|
|||
Christian
Fenouillat
|
|||
Kostüme
|
|||
Agostino
Cavalca
|
|||
Licht
|
|||
Christophe
Forey
|
|||
Choreographie
|
|||
Beate
Vollack
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Tamino
|
Sarastro
|
Sprecher
|
|
Jörg Schneider
|
René Pape
|
Adrian Eröd
|
|
Jochen Schmeckenbecher
|
|||
Erster Priester
|
Zweiter Priester
|
Königin der Nacht
|
|
Peter Jelosits
|
Adrian Eröd
|
Hila Fahima
|
|
Pamina
|
Erste Dame
|
Zweite Dame
|
|
Olga Bezsmertna
|
Caroline Wenborne
|
Ulrike Helzel
|
|
Dritte Dame
|
Papagena
|
Papageno
|
|
Bongiwe Nakani
|
Ileana Tonca
|
Thomas Tatzl
|
|
Monostatos
|
Erster Geharnischter
|
Zweiter Geharnischter
|
|
Benedikt Kobel
|
Wolfram Igor Derntl
|
Ryan Speedo Green
|
|
Herbert Lippert
|
|||
Drei Knaben
|
|||
Wiener Sängerknaben
|
|||
5
October 2017
|
|||
(7
performances, also 8, 11, 13 Oct, 14, 17, 20 Jan)
|
|||
DON
GIOVANNI
|
|||
(Wolfgang
Amadeus Mozart)
|
|||
Dirigenten
|
|||
Sascha
Goetzel
|
|||
Regie
|
|||
Jean-Louis
Martinoty
|
|||
Bühne
|
|||
Hans
Schavernoch
|
|||
Kostüme
|
|||
Yan Tax
|
|||
Licht
|
|||
Fabrice
Kebour
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Don Giovanni
|
Der Komtur
|
Donna Anna
|
|
Adam Plachetka
|
Sorin Coliban
|
Irina Lungu
|
|
Ludovic Tézier
|
Dan Paul Dumitrescu
|
Ekaterina Siurina
|
|
Don Ottavio
|
Donna Elvira
|
Leporello
|
|
Benjamin Bruns
|
Dorothea Röschmann
|
Robert Gleadow
|
|
Jinxu Xiahou
|
Annette Dasch
|
Luca Pisaroni
|
|
Zerlina
|
Masetto
|
||
Andrea Carroll
|
Ryan Speedo Green
|
||
Valentina Nafornita
|
Clemens Unterreiner
|
||
5
September 2017
|
|||
(7
performances, also 9, 12, 15 Sep, 12, 15, 18 Feb)
|
|||
LE NOZZE
DI FIGARO
|
|||
(Wolfgang
Amadeus Mozart)
|
|||
Dirigent
|
|||
Adam
Fischer
|
|||
Sascha
Goetzel
|
|||
Regie
|
|||
Jean-Louis
Martinoty
|
|||
Bühne
|
|||
Hans
Schavernoch
|
|||
Kostüme
|
|||
Sylvie
de Segonzac
|
|||
Licht
|
|||
Fabrice
Kebour
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Conte Almaviva
|
Contessa Almaviva
|
Susanna
|
|
Carlos Álvarez
|
Dorothea Röschmann
|
Andrea Carroll
|
|
Simon Keenlyside
|
Olga Bezsmertna
|
Valentina Nafornita
|
|
Figaro
|
Cherubino
|
Don Bartolo
|
|
Adam Plachetka
|
Margarita Gritskova
|
Ryan Speedo Green
|
|
Jongmin Park
|
Rachel Frenkel
|
Sorin Coliban
|
|
Marcellina
|
Don Basilio
|
Don Curzio
|
|
Ulrike Helzel
|
Pavel Kolgatin
|
Peter Jelosits
|
|
Herwig Pecoraro
|
|||
Antonio
|
Barbarina
|
||
Igor Onishchenko
|
Maria Nazarova
|
||
Rafael Fingerlos
|
|||
8
September 2017
|
|||
(4
performances, also 11, 14, 18 Sep)
|
|||
KHOVANSHCHINA
|
|||
Dirigent
|
|||
Michael
Güttler
|
|||
Regie
|
|||
Lev
Dodin
|
|||
Regiemitarbeit
|
|||
Valery
Galendeev
|
|||
Ausstattung
|
|||
Alexander
Borovskiy
|
|||
Licht
|
|||
Damir
Ismagilov
|
|||
Choreographie
|
|||
Yuri
Vasilko
|
|||
Bewegungsregie
|
|||
Yuri
Khamutianskiy
|
|||
Dramaturgie
|
|||
Dina
Dodina
|
|||
Chorleitung
|
|||
Thomas
Lang
|
|||
Fürst Iwan Chowanski
|
Fürst Andrei Chowanski
|
Fürst Wasili Golizyn
|
|
Ferruccio Furlanetto
|
Christopher Ventris
|
Herbert Lippert
|
|
Schaklowity
|
Dossifei
|
Marfa
|
|
Andrzej Dobber
|
Ain Anger
|
Elena Maximova
|
|
Susanna
|
Emma
|
Warsonofiew
|
|
Lydia Rathkolb
|
Caroline Wenborne
|
Marcus Pelz
|
|
Kuska
|
Streschnew
|
1. Strelitze
|
|
Carlos Osuna
|
Wolfram Igor Derntl
|
Hans Peter Kammerer
|
|
2. Strelitze
|
Vertrauter Golizyns
|
Ein Schreiber
|
|
Ayk Martirossian
|
Benedikt Kobel
|
Thomas Ebenstein
|
|
30
September 2017
|
|||
(6
performances, also 3, 6 Oct, 14, 17, 20 Mar)
|
|||
LA
BOHÈME
|
|||
(Giacomo
Puccini)
|
|||
Dirigenten
|
|||
Eivind
Gullberg Jensen
|
|||
Speranza
Scappucci
|
|||
Inszenierung
und Bühnenbilder
|
|||
Franco
Zeffirelli
|
|||
Kostüme
|
|||
Marcel
Escoffier
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Rodolfo
|
Schaunard
|
Marcello
|
|
Jinxu Xiahou
|
Clemens Unterreiner
|
Gabriel Bermúdez
|
|
Jean-François Borras
|
Igor Onishchenko
|
Alessio Arduini
|
|
Orhan Yildiz
|
|||
Colline
|
Benoit
|
Mimì
|
|
Sorin Coliban
|
Wolfgang Bankl
|
Hrachuhí Bassenz
|
|
Jongmin Park
|
Marcus Pelz
|
Anita Hartig
|
|
Musetta
|
Alcindoro
|
Parpignol
|
|
Aida Garifullina
|
Wolfgang Bankl
|
Wolfram Igor Derntl
|
|
Valentina Nafornita
|
Marcus Pelz
|
Dritan Luca
|
|
Martin Müller
|
|||
Sergeant der Zollwache
|
Zollwächter
|
Obstverkäufer
|
|
Dominik Rieger
|
Konrad Huber
|
Oleg Zalytskiy
|
|
Jaroslav Pehal
|
Jeong-Ho Kim
|
Daniel Lökös
|
|
Oleg Savran
|
Johannes Gisser
|
Wong Cheol Song
|
|
Csaba Markovits
|
Thomas Köber
|
||
21
November 2017
|
|||
(5
performances, also 24 Nov, 19, 25, 28 Mar)
|
|||
MADAMA
BUTTERFLY
|
|||
(Giacomo
Puccini)
|
|||
Dirigenten
|
|||
Jonathan
Darlington
|
|||
Ramón
Tebar
|
|||
Nach
einer Inszenierung von
|
|||
Josef
Gielen
|
|||
Bühnenbild
und Kostüme
|
|||
Tsugouharu
Foujita
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Cio-Cio-San
|
Suzuki
|
Kate Pinkerton
|
|
María José Siri
|
Zoryana Kushpler
|
Simina Ivan
|
|
Elena Guseva
|
Bongiwe Nakani
|
||
B.F. Pinkerton
|
Goro
|
Sharpless
|
|
+
|
Benedikt Kobel
|
Gabriel Bermúdez
|
|
Massimiliano Pisapia
|
Boaz Daniel
|
||
Der Fürst Yamadori
|
Onkel Bonze
|
Der kaiserliche Kommissär
|
|
Hans Peter Kammerer
|
Sorin Coliban
|
Marcus Pelz
|
|
Peter Jelosits
|
Igor Onishchenko
|
||
Der Standesbeamte
|
Die Mutter Cio-Cio-Sans
|
Die Base
|
|
Martin Müller
|
Jozefina Monarcha
|
Seçil Ilker
|
|
Wolfram Igor Derntl
|
Arina Holecek
|
Jung-Won Han
|
|
Denisa Danielová
|
|||
23
October 2017
|
|||
(8
performances, also 27, 30 Oct, 8, 12 Jan, 13, 16, 19 Jun)
|
|||
TOSCA
|
|||
(Giacomo
Puccini)
|
|||
Dirigent
|
|||
Jesús
López Cobos
|
|||
Frédéric
Chaslin
|
|||
Marco
Armiliato
|
|||
Inszenierung
|
|||
Margarethe
Wallmann
|
|||
Bühnenbild
und Kostüme
|
|||
Nicola
Benois
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Floria Tosca
|
Mario Cavaradossi
|
Baron Scarpia
|
|
Adrianne Pieczonka
|
Yonghoon Lee
|
Ambrogio Maestri
|
|
Angela Gheorghiu
|
Massimo Giordano
|
Erwin Schrott
|
|
Catherine Naglestad
|
Aleksandrs Antonenko
|
Andrzej Dobber
|
|
Alfred Kim
|
|||
Stefano Secco
|
|||
Cesare Angelotti
|
Der Mesner
|
Spoletta
|
|
Ryan Speedo Green
|
Alexandru Moisiuc
|
Wolfram Igor Derntl
|
|
Clemens Unterreiner
|
Benedikt Kobel
|
||
Sorin Coliban
|
|||
Sciaronne
|
Ein Schließer
|
Ein Hirt
|
|
Hans Peter Kammerer
|
Ayk Martirossian
|
Kind der Opernschule der Wiener
Staatsoper
|
|
Igor Onishchenko
|
Dan Paul Dumitrescu
|
Helena Magdic
|
|
Rebekka Rennert
|
|||
Maryam Tahon
|
|||
10 April
2018
|
|||
(4
performances, also 13, 17, 20 Apr)
|
|||
TURANDOT
|
|||
(Giacomo
Puccini)
|
|||
Dirigent
|
|||
Frédéric
Chaslin
|
|||
Regie,
Bühne und Licht
|
|||
Marco
Arturo Marelli
|
|||
Kostüme
|
|||
Dagmar
Niefind
|
|||
Video
|
|||
Aron
Kitzig
|
|||
Chorleitung
|
|||
Thomas
Lang
|
|||
Turandot
|
Altoum
|
Timur
|
|
Lise Lindstrom
|
Wolfram Igor Derntl
|
Ryan Speedo Green
|
|
Calaf
|
Liù
|
Ein Mandarin
|
|
Roberto Alagna
|
Aleksandra Kurzak
|
Paolo Rumetz
|
|
Ping
|
Pang
|
Pong
|
|
Boaz Daniel
|
Jinxu Xiahou
|
Leonardo Navarro
|
|
Mägde der Turandot
|
Prinz von Persien (Gesang)
|
Prinz von Persien (Pantomime)
|
|
Irene Hofmann
|
Oleg Zalytskiy
|
Dominik Ristl
|
|
Wilma Maller
|
Wong Cheol Song
|
Werner Eske
|
|
Seçil Ilker
|
|||
Kaya Maria Last
|
|||
Younghee Ko
|
|||
Irena Krsteska
|
|||
Der weiße Clown
|
|||
Josef Borbely
|
|||
6
September 2017
|
|||
(6
performances, also 4, 11 Feb, 30 Apr, 4, 7 May)
|
|||
IL
BARBIERE DI SIVIGLIA
|
|||
(Gioachino
Rossini)
|
|||
Dirigent
|
|||
Marco
Armiliato
|
|||
Jean-Christophe
Spinosi
|
|||
Alexander
Soddy
|
|||
Inszenierung
|
|||
Günther
Rennert
|
|||
Bühnenbild
und Kostüme
|
|||
Alfred
Siercke
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Graf Almaviva
|
Bartolo
|
Rosina
|
|
Ioan Hotea
|
Paolo Rumetz
|
Rachel Frenkel
|
|
Pavel Kolgatin
|
Wolfgang Bankl
|
Margarita Gritskova
|
|
Jinxu Xiahou
|
Martin Winkler
|
||
Figaro
|
Basilio
|
Fiorello
|
|
Marco Caria
|
Sorin Coliban
|
Igor Onishchenko
|
|
Adrian Eröd
|
Ryan Speedo Green
|
Manuel Walser
|
|
Boris Pinkhasovich
|
Jongmin Park
|
||
Ambrogio
|
Marcellina (Berta)
|
Ein Offizier
|
|
Jaroslav Pehal
|
Simina Ivan
|
Oleg Zalytskiy
|
|
Dominik Rieger
|
Lydia Rathkolb
|
Daniel Lökös
|
|
Wolfram Igor Derntl
|
|||
16
February 2018
|
|||
(3
performances, also 16, 19, 22 Feb)
|
|||
LA
CENERENTOLA
|
|||
(Gioachino
Rossini)
|
|||
Dirigent
|
|||
Jean-Christophe
Spinosi
|
|||
Regie
|
|||
Sven-Eric
Bechtolf
|
|||
Bühne
|
|||
Rolf
Glittenberg
|
|||
Kostüme
|
|||
Marianne
Glittenberg
|
|||
Licht
|
|||
Jürgen
Hoffmann
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Don Ramiro
|
Dandini
|
Don Magnifico
|
|
Maxim Mironov
|
Alessio Arduini
|
Paolo Rumetz
|
|
Clorinda
|
Tisbe
|
Angelina
|
|
Ileana Tonca
|
Margaret Plummer
|
Isabel Leonard
|
|
Alidoro
|
|||
Luca Pisaroni
|
|||
26
October 2017
|
|||
(3
performances, also 29 Oct, 2 Nov)
|
|||
L'ITALIANA
IN ALGERI
|
|||
(Gioachino
Rossini)
|
|||
Dirigent
|
|||
Evelino
Pidò
|
|||
Nach
einer Inszenierung und in der Ausstattung von
|
|||
Jean-Pierre
Ponnelle
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Mustafà
|
Elvira
|
Zulma
|
|
Luca Pisaroni
|
Bryony Dwyer
|
Miriam Albano
|
|
Haly
|
Lindoro
|
Isabella
|
|
Manuel Walser
|
Antonino Siragusa
|
Elena Maximova
|
|
Taddeo
|
|||
Orhan Yildiz
|
|||
31
December 2017
|
|||
(4
performances, also 1, 3, 5 Jan)
|
|||
DIE
FLEDERMAUS
|
|||
(Johann
Strauss II)
|
|||
Dirigent
|
|||
Cornelius
Meister
|
|||
Nach
einer Inszenierung von
|
|||
Otto
Schenk
|
|||
Bühnenbild
|
|||
Günther
Schneider-Siemssen
|
|||
Kostüme
|
|||
Milena
Canonero
|
|||
Chorleitung
|
|||
Martin
Schebesta
|
|||
Choreographie
|
|||
Gerlinde
Dill
|
|||
Gabriel von Eisenstein
|
Rosalinde
|
Gefängnisdirektor Frank
|
|
Herbert Lippert
|
Laura Aikin
|
Hans Peter Kammerer
|
|
Michael Schade
|
Jochen Schmeckenbecher
|
||
Prinz Orlofsky
|
Alfred
|
Dr. Falke
|
|
Stephanie Houtzeel
|
Benjamin Bruns
|
Clemens Unterreiner
|
|
Zoryana Kushpler
|
Jörg Schneider
|
Rafael Fingerlos
|
|
Dr. Blind
|
Adele
|
Ida
|
|
Peter Jelosits
|
Maria Nazarova
|
Lydia Rathkolb
|
|
Frosch
|
Iwan
|
Überraschungsgast bei Orlofsky
|
|
Peter Simonischek
|
Jaroslav Pehal
|
Lidia Baich, Andreas Schager
|
|
Im 2. Akt: "Unter Donner und
Blitz"
|
|||
Ensemble , Corps de ballet
|
Wednesday, 28 August 2019
WIENER STAATSOPER REPERTOIRE 2017 - 2018 Part 1 (Beethoven - Johann Strauss)
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